le sketch du jour: Mon. July 7th, 1980. Trapped in Wallpaper nightmares…

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It is funny because I just repeated a story to someone else about a friend who had made the comment, “if it’s not one addiction, it’s another.”

He went on to tell about how he’d decided that he would wallpaper this room. He said it looked so good, that he decided to do another. With each room, he started to feel better about his wallpapering abilities, and thus about himself. So then he shared that he started letting his thoughts race and get ahead of themselves. “I’m pretty good at this, I ought to start a business” and so on, and so on. If you don’t relate, just move on. Anyway, you get the idea, pretty soon, ego out of control, he was a Wallpaper(ing) Magnate, at least in his head.

Well anyway, I just thought I would relate because there are those people who really do focus on wallpaper and know their stuff.  Unfortunately, I had the opportunity to spend one of my afternoons in Paris au musée des art décoratifs with this very person: the Curator of Wallpapers.

I respect the art of the design of wall coverings in paper. I love the color, pattern, texture, historical motifs, etc. After living in a 100+ year old house, I now also understand the functionality in old houses with cracked plaster. A bandaid is much cheaper than complete re-haul of skin. But even later in my own home, I preferred to continue to spackle; I claimed these fissures in my own walls as the wrinkles that told the history.

So to generalize, architects don’t do wallpaper. And at that time, while not an architect, I was the daughter of an architect. Maybe this is all just an excuse, but I was BORED OUT OF MY MIND.

Here are the notes from my journal, Mon. July 7th, 1980:

Lecture at le musée.  Headed to Institute of France (Baroque) and east façade of Louvre.

Instead of lunch, went to jeu de paume-the impressionist museum in the Tuileries. Loved it. Saw the Degas ballerinas…the one in the cafés, all that you’d ever recognize.

Lecture in P.M. & then we saw the wallpapers….Quelle nightmare. She pulled out rows after rows that all looked the same and kept us until 5:45. The technique and earlier examples were interesting, but…

 

Climbing the wallpaper.

[More about paying for bus fare to London, 276 Francs, $70 for bus and Hovercraft.]

Home at 7:30. Got spinach and artichoke for dinner.  Cindy (Bean) came over and confirmed train reservations to Barcelona. Sun, warmth, no rain, above 60 degrees :). Wrote letters to hotels in Barcelona. Bed.

and a note:

Later when working for Bobby Smith at Jack Rees Interiors, I had the job of picking wallpaper for an older home off of Overbrook in Mission Hills. In many of these homes, the bathrooms are small, the original small white hexagonals still intact on the floor. They were well done, grout well maintained, and if it ain’t broke….Plus, old money, slow as honey, and there’s a lot to be said for not moving with the latest trends. Ranchers live like this, but to an even greater extreme since a home on a ranch is of virtually no value and there is no return on investment.

Point is, a little must have soaked in after viewing all of those many many bird & bee, basketweave, fleur de lys, strawberry, chinoiserie, toile, blah blah blah across western Europe papers.  I was able to weed through vast samples to find the appropriate color, scale of print, and historic meanings to give the owner a selection of edited choices from which she might choose. And, it was fun! Not boring at all.

History of the French Sketchbook, 1980. En anglais.

by admin

Au marche

I went to school at the Museum of Decorative Arts in Paris with Parsons School of Design, New York City in 1980.  But, it wasn’t necessary to take French for the School of Art and Design at KU.  After five years of Madame Honig (Indian Hills) and Madame Speidel (Shawnee Mission East), I decided that I was not going to forget those words and I took French classes all my semesters at KU.

I went with the French Department at KU with the French students with whom I traveled for two weeks (chateaux of the Loire Valley, la cathedrale of Bourges, Morzine in the French Alps, Chamonix) staying in youth hostels.  Three days before they departed for the French Alps for Paris by bus, I had to be at school at the Louvre because the students from New York were arriving in Paris, and I took the train by myself during the night.

A woman of a certain age plus twenty years took me under her wing et told me to take care to stay far from the dark men of Paris. It was useful advice for the entire summer (it’s just my opinion, but I think that the French have never embraced the words politically correct, particularly not a country whose metro signs said “give your seat to the mutilated of the war.”) I love the French.

After the summer in France, I dreamed in French.

And after I moved away (withdrew) in my head and to the country, I dreamed (yearned) of France.

When I went running on the Cimarron River, I dreamed of my running route on the banks of the Seine by the Louvre.

When I made homemade baguettes for the cowboys (too funny, a woman who bakes…there is not even a word in French for bakes, much less, bread) I daydreamed of the bakery on rue du bac near l’hotel Cayre on le Boulevard Raspail where I lived that summer.

France, I dream of you still.

Here is my book of that summer, the food, the buildings, the people, the strange men, the professors, my epicerie (like a deli with artichokes), the boulevards of Haussmann, and the stories of that summer when I was able to be a young French girl from Kansas. With only myself, but never alone.

And now, my French friends have returned to me in Kansas.