New Red Shoes.

by admin

Friends show up in homey places…

Depot, Las Vegas, New Mexico. Jan 2014.

Depot, Las Vegas, New Mexico. Jan 2014.

we never really knew them.

Then nor now….

but somehow….

Rhythm kinda soothin’

photo

for the drama and the dance

energy.. words…non-romance….

xmas lights and nighttime drives

quiet… quiet…place….2lives…

 

take the fork, be on our way! 

time rolls on…plan  the day!

 

But year be New

….& plans not working‘ !!!!??

take the call!     don’t be smirking’…

Bacon-eggs & hopeful blues…

Nothing like Harry’s & New Red Shoes. 

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Happy 2014.  

Home to pens of Kansas, ready to re-load. It’s all in the mind….

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Linking it all together…friends, jewelry, and some Neil Young.

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I have been making some bracelets for very special friends in Wichita in the holiday months. I will be moving this next month to Kansas City. I keep my friends, eternally, in one place or form or another and in my heart, just like the Neil Young song.

[youtube]http://www.youtube.com/watch?v=GWFpf6MdcQo&feature=results_video&playnext=1&list=PL6AFC73137838208D[/youtube]

(We are all painters in his workshop in different ways, our lives the landscape. I like this song.) 

(Scene)

I was meeting with a life coach of sorts, working on my inventory over breakfast last week before the New Year. I gave her a bracelet for her new-mommy-daughter-in-law-Lisa, whom I had just met and for her, my friend Anne.

When I commented on Lisa’s wristlet, I mentioned that the multi-colored rings were of a different gauge. My concern was with the strength of the bracelet to resist a strong end-to-end stress test. How this might happen in the strenuous activity of jewelry-wearing, I do not know. But, I like to cover all my bases for problems in my homemade gifts.

note: gauge is the weight and circumference of metal.

Jump rings. Different resulting chains.

Paula to Anne in comparing their two bracelets:

“Yours has the heavier jump rings, but Lisa’s colored rings are very weak .” (Weak here meaning very easy to bend open. That is, fingers instead of jewelry pliers).

“But, I think when they are all linked together, the structural integrity of the whole is very, very strong.”  

Of course after this statement, I was then intensely into pulling on this colored chain to illustrate un-wearer-tested potential flaws in construction. But then I looked up, finally realizing consciousness of words and actions, in so many ways around this trusted servant.

Anne, a schoolteacher said, “and isn’t this always the truth.” 

by Anne Mitchell & Paula Graves Adams.

The Good Egg, Bradley Fair Wichita. Dec. 30th, 2011.

Nothing’s really original or unique but the moment.

This is for the famous Cathy Faber of Cathy Faber's Swingin' Country Band in Santa Fe. I met through our SME friend who is, I think, consistently her drummer of late. She has a new CD, look for it!

legend

skull: Day of the Dead, history, ancestors, Mexico

cow:  We are both cowgirls of sorts.

boots: what girl doesn’t love a good pair of riding boots?

cross: don’t know if fit, but regardless, important to Santa Fe.

This is for another Santa Fe Band with whom our SME friend plays, Bus Tapes. I met Heather through him but also then connected with our common interests in the arts and her degree. Her day job is with the International Folk Art Museum. She is beautiful, young and wise, newly married to hot husband, and Bus Tapes' lead singer and a songwriter.

legend

see the hippie bus? love it, ebay.

roll of tape+ “s”. wish I knew origin. last 1.

skull: same a.a.

silver oblong bead: some Ginny Graves finds.

This is for my friend Genevieve. You know Genevieve...my thoughts and clothes coach. Her family history in fine men's suiting-tailoring for generations. She carries on with her father for both genders. She just had her baby, and she's right back on her horse at Brick's in the afternoons with Rory sidesaddle. A bit wild-eyed, but stable.

legend 

baby shoe

hand with dangling heart: Shaker handcraft motif

vintage enamel monkey: kids.

(this is interesting…I found in my drawer on old broken Susan Nichols-Lopez necklace. Susan is some descendant or connection with Nichols of K.C., J.C., and was/is jewelry designer, I think in Santa Fe? Don’t know relation to Wayne Nichols, the architect-developer there or quote me on this, I don’t have time to call Ginny. She (my mom) had this made for me in high school. She used wire wrap and old stuff. Recycle, recycle, recycle again!

copper heart with anodized coloring: old cut up thing.

crosses: Kapaun. A good catholic KU Pi Phi girl.

cow: URGENT…”KC cowgirl to Gen! S.O.S.! send out stylish duds”

round frame: will have tiny rory pic.

note: this more intricately patterned chain came about because the heavy gauge jump rings were smaller and way-to-tight for the plainer box link.

And back to Neil’s words in the songs about dreams which give me pause.

I do get confused sometimes with all the places, people, and reasons why, when and where I, or actually someone higher up, placed my paint. Maybe everyone does. But when I have faith and love, I am never lost.

The Never Really End.

My Santa Fe dance night. Cathy Faber, two GOTARS, a drummer & a cowboy.

by admin

Mostly what I will remember about Kitty Bliss’s father, Curtis, is that I danced with him at Kitty’s wedding. He was a fabulous dancer with a firm hand and said I was “light as a feather,” bolstering my confidence in dormant dancing skills à deux.  Four incredible daughters and a remarkable mother, a real man among great women.

A Dancing Story.

"Cathy Faber" "George Langston"

Cathy Faber on upright bass in great skirt, George Langston on guitar in yoke.

I’ll have to tell you about Dance Night at the La Fiesta Lounge with Cathy Faber’s Swinging Country Band, La Fonda Hotel, Feb. 4th, 2011. The picture is from the next day at Tesuque, another post, but we were visiting Santa Fe to look at adobe, hear Britt in Cathy’s Band, and eat guac.

3 cinqtegenerians: John Adams-Cowboy, Paula Graves Adams-so happy 2B mistaken for Ellen Barkin by a 70 yr. old, Britt Alexander-drummer. Tesuque, Feb. 5th.

3 Kansas cinqgenerians

Britt Alexander, center, and fellow musician friends though not in this band.

Practice…practice

John and Paula thought they’d take a spin, but we were in way over our heads.  The dance background was there, though. For in 1981 we were a duo, a Belle of the American Royal (BOTAR) and her GOTAR doing the foxtrot, waltz and cha-cha-cha (see Kansas City Debut and that crowd). This dance occurred after the daughters had been presented to society by their fathers and had performed their curtsy.

We accomplished these dance steps while I held a big feather fan. This fan, I like to think, is in homage to Sally Rand, the famous historic fan dancer from Kansas City. She took fan dancing in the (apparent) buff to a whole new level of fine art while, I know, offering great pleasure for the men. No one ever mentions this in our debutante training, though I think the young girls practicing in this fashion might make a great pre-ball benefit.

The American Royal was a stock show in the old KC Stockyards. Kansas City was a meatpacking and a shipping point for midwestern cornfed beef to be moved East to feed larger markets. Later, the American Royal was an event that brought agriculturists from the provinces to the city as well as those urban people who had interests in agriculture in the Midwest. Mainly, it was established to be sure that Kansas City didn’t forget it’s agricultural roots and role as a breadbasket to the country. The show in the American Royal Arena is now primarily horsemanship, not as focused on interests in the commercial and purebred cattle stock show as it had been in the past.

Two GOTARS at La Fiesta Lounge.

Just a bit about being a GOTAR. This is a rite of passage for young KC men ages 22-30. This included the drummer and the cowboy with whom I was in the La Fiesta lounge at La Fonda in Santa Fe.

A word about the word BOTAR (Belles of the American Royal) and for what word the G represents. I thought it was Guys (of TAR). The men were allowed to go to this party over and over again, while the women only get to have fun the one time that they “debut to society.”

The Graves family was actually not announcing my eligibility for marriage as debutante balls were originally intended to do. They were able to gang two social events by celebrating this at the same time as my pre-nuptial showers and parties, closing the marriage deal just a month after the debut. We are an efficient family.

Note to self: Why aren’t eligible sons presented to society?

This gives me an idea, why not start a Kansas Dance Party for some great bachelors I know. Jack Adams, his KU Phi Delt & Beta buddies, some Pembroke fellas, maybe a few Meade County boys to mix it up a bit, Jimmy Corrales and some of his friends, and of course their moms; kind of like KU Mom’s Weekend.

We cordially invite you

to be presented at the

Bachelors and In-Between Moms & Mortgages Ball

The BIBM&M Ball which could be shortened to BIB, as in “I’m coming out this year as a BIB.” 

[I am sure we, as mothers, have all weaned our male offspring long ago, so just in jest!]

  • My son’s friends in many fraternities at KU that I have met have a sense of humor.
  • I know it could be made into a great guy party, at least with the 2010 Sweeping Rock Chalk Phi Delt Winners who can really cut the rug on the dance floor.
  • And, if mommy is actually trying to stay off-duty in their lives for a bit, she might actually be asked to escort them on stage for their bow.

So who’s choosing the tuxes?  I’d pick a crushed brown broomskirt weight velvet (good drape) with skinny lapels, “maybe crocskin, buttercream, buttercream….” 

 

…back to the dance story…

So…the then married couple of John and Paula  were practicing our two-step by the glass retail cases in the hall to the bathrooms. This was to prevent humiliation and avert collision with this fast two-steppin’ crowd. Several kind people stopped by to offer much appreciated advice.

And this is How we ended up respectively with very good dance partners…

A kind couple…two dance partners that is, Sandi Wright and Randy Forrester took us on.

Sandi is a woman, a teacher, and an author of children’s book about what!!! history and santa Fe  prairie dogs!!! (see Prairie Pug) www.santafesam.com. Her daughter in finance was the illustrator and it had just been released in print. It is available at La Fonda bookshop among other places.

Randy was and perhaps still is co-host of Gotta Dance on KSFR 101.FM, Sunday from 7-8 MST, Gotta Dance .

Well, they took us on. Randy could not have been nicer and more fun and more gentlemanly.

Here’s another chunk of a great song of Cathy’s that gives you a feel for the dance crowd.  Well, it was there until enforcement…

the moves

After the first dance, Randy moves onto Dance 102 and does a dip. Knowing my neck is always a bit stiff and I wouldn’t  want to look awkward,

“what to do with the head?”, I asked.

“throw it back” and that I did. And I have to admit it, I liked it.

Well, don’t ever act interested in anything men do it just encourages them. Soon my hair was grazing the floor and Randy moved right into Dance 103 with the leg extends.  Again…I was curious, this was new for me…

So, I threw myself in, head first, or I should say, head back in submission. My father Dean Graves always had a Marine Corps motto I try to live by:  “anything worth doing is worth doing well.”

Well soon Randy was supporting my leg at 90 degrees in a split that Carolyn Howard would have been proud of (toe pointed, of course).

[I rationalized my exhibitionism with the idea that Lacy might need to know this someday. My cousin’s first husband’s father and that wife once did a Country Wedding Tango in my Uncle Bill’s Garage Dance Floor, so you never know when you might need to pull out or pass on this move to your children or grandchildren. I hung in there until Randy and Sandi called it a night, and we took a rest to watch Cathy, the guys, and Britt.]

 

Hillbilly Hoedown….so here’s the closure to the story.

The dance crowd had cleared out. Out of nowhere, a man in high-waisted wranglers cuts in on us and swings me off to center stage without even a “may I?”. A complete stranger, no compliment, and he took me to a whole new set of dance-bases that I’d never even heard of, sort of a jig.

I am sure I looked both scared and scary.

help me!

And… where’s John??!!!  (bathroom?  smoke?)

Where’s Britt?  (….lost in percussion).

I’m trying to make eye contact with someone…where’s Dave Wood when you need him?

The exit

John’s finally returned, witnessing the finale. The grueling ordeal finally ended, and I stumbled over to Britt’s jazzette saying, “I’ve got to get out of here, goodnight.” I make the exit motion to John who’s asking…. “who was that?”, grab my coat and bolt for the lobby.

The next day by email I apologized to Britt for any embarrassment caused by his high school friend. I also used it as an opportunity to hold another responsible for my behavior, asking, “why didn’t you help me?!” 

“Well, you looked like you were having a good time,” said Britt.

John’s comment, “he’s playing the drums…what’s he supposed to do?”

Well, I embarrassed myself a bit, but no regrets

And give Thanks to God:  My children weren’t there.  But mostly grateful; I’m the one with the camera.

Taking my Pony on my Boat: what I share with Zeb Pike.

by admin

Me and my Pony on my boat on the High Plains.

What I share with Zeb Pike.

I do have a few things in common with Zebulon Pike.

I climb the mountains to my West.

I speak French which I use in the West.

As was his, my father was in the military, or at least in the Marines Corps.

And, I beat the trails through Northern New Mexico quite often. This is where Pike was encamped when he was captured by Spanish authorities and taken to Santa Fe. 

I, too, am captured in New Mexico by Santa Fe.

By the art and culture and landscape I need to nourish me on the Plains, so as to be refreshed again with its beauty when I return.

And I am also an explorer of the High Plains that records with maps, drawings, pictures, people’s stories, history and research.

So I understand now that this shadow at right in yesterday’s picture, made  from the clear photo corner that was holding another picture, that is me exploring the High Plains by sea.

When I did sail at camp, about all I could do well was to trim the jib. And that’s maybe all I will ever really take part in in regard to making money off land in the High Plains; to be the crewsman, cook the meals, drive. To suit up and be there.

The XIT Yacht

When I sail on this boat, it is isolated with a skilled crew, but I am somewhat of a stowaway who serves up the chow.  I do share in my own way what I can, sometimes having them yacht, but often with others not on board. Not just sharing of the ranch but of other ranches, through drawings and photographs and writing about ranching in Kansas.  Or in other ways like preserving a Depot that used to ship cattle or having folk artists to a one-room school near my house and inviting everyone around to come see, hear the music, and bring their fiddles.

Or by inviting the real Frenchman in Kansas down for dinner and into the schoolroom to parlez with the pupils. Or having the paleontologists from Kentucky and their European interns down for dinner where I got to parlez with Sophie, the French student. I do what I love, just as those do in their jobs on the XIT Yacht. 

I do the work on the boat that I know how to do, that I did halfway well with what I’d been given, where I think I’m giving back.

Sometimes when I would return to the main dock, I would do something stupid like let go of the main halyard. This only needs to be learned once. And sometimes I need to find a different dock. 

But mostly what I enjoy on the High Plains, is sailing and seeing at sea.

Sometimes it is when I am running…

A bit of it was in the pastures where I would fish for lost cattle. I didn’t always know where to look and it seemed like I never found them. But I could feel something, maybe someone saying follow me…and I will make you fishers of men…

For a lot of my time I had on the High Plains, I had the blessing and curse of taking my pony on my boat. I was probably not as useful as I could have been on the XIT Yacht, but there many people on that boat, and it just seemed so crowded it might sink. So, I lightened the load, my load…

In my books, my degrees, my work in design or preservation, in my car driving miles, in my art, I could get lost on the ocean. But, I would always be guided safely home, wherever that was for the night…Lawrence, Kansas City, Wichita, the XIT Headquarters, Santa Fe, or a hotel in a small town in Kansas when doing historical research in the field.

[youtube]http://www.youtube.com/watch?v=AW43IKuxOJM&feature=related[/youtube]

a Lone Ranger note: I like this song, but I take issue with the one line that pits Tonto and the Lone Ranger as enemies. I feel it is a contemporary translation that lacks depth in understanding the actual details of the history of its writers. Their intent was to illustrate the common values of an Indian and a White man, to do good, and a friendship that united the pair. They worked alongside each other as practically equal partners, and had each saved the other from death at different points in their lives. 

Tonto’s character was originally a Potawatomi Indian by choice of the radio station owner who was from Michigan. This was a non-native to the area where he rode in Texas and the clothing is inaccurate. But, ‘Tonto’ in Potawatomi means “Wild One” and was mistaken as the Spanish word meaning fool or dumb. And, Tonto called the Lone Ranger “Kemo Sabe”, “trusted servant.” They worked the High Plains together, and would have been on the same boat. 

So yesterday, when I started with Zeb, I went on my sailboat journey of maps and google and Walter Webb’s Great Plains and my Master’s Thesis to try to take what I’d read and done before and make it into something short, edited and tangible. But, instead I realize I took my pony on my boat and we just enjoyed the day.

We sailed

  • through geological and rock formations, surface etching of the High Plains with rivers, glaciers, erosion. 
  • I read about Lewis & Clark and re-read the Charles Kimball Lecture, “It’s all about Eating: Kansas City’s history and opportunity.”
  • I did a timeline of government policies and actions within the 200 year span from Pike’s quote and today that were specific to the Great Plains. 
  • I even added in a tangential timeline of modes of production (technologies) and modes of transportation in relation to phases of Farming in America, but again, focused on my region, The Great American Desert. 
  • And I recorded my journey, over some familiar waters at sea, with my pony on my boat. 

I still do this almost every day and accept that this was the way I was made.

And just sometimes it works. I zigzag back and forth at sea and occasionally hit my mark, reach the point.

At other times I don’t really know where I went or where I was headed, but I did have kind of a plan, just like we did with America when Zeb was sent out to explore. 

And I always enjoy the journey, and record it in my memory or in some other way to preserve. I take that with me, and I leave some behind for the next guy, to do with as he pleases. 

This is Paula, Explorer of the High Plains.